Final NaNoNag

Today is the last day of National Novel Writing Month, and hopefully everyone has or will make it to the 50k finish line. If you have already, congratulations -- I am there, too, partying with you in spirit. Although I couldn't officially participate in NaNoWriMo this year I managed to knock out 56,123 words in November while working on two clients' projects, and finishing Ghost Writer, and beginning Twenty-One.

There's still plenty of work to be done. I need to finish one client's project this week; I have another new project due in three weeks. Somewhere in there I'd like to edit Ghost Writer and get it in shape, and continue with Twenty-One while keeping that one on a tight leash so it doesn't become my latest writing obsession (which it wants to. Badly.) And because I obviously don't have enough to do, I'm also working on Her Majesty's Deathmage. In December I'll probably be spending eight to twelve hours a day writing and editing. It sounds like a lot, but we don't call it the writing life because we spent all our time watching television.

This time last year I had just ended an eight-month hiatus from writing to deal with my eye issues, and I'd started my first job as a freelance writer. I remember only too well how nervous I felt; my brain was barraged by the usual what-if doubts: What if I'd picked the wrong client? What if I messed it up and ruined my chance to get another job? What if my mojo had evaporated? What if by striking out on my own I'd made a horrible mistake? I might have talked myself out of the whole deal if not for the work.

As always writing saved the day. It told me to forget about the what-ifs and get on with it. I'd done my research, and I'd chosen a reliable client with a great project. I'd outlined a terrific story. More than anything, I wanted to do this and make it work so I could get my career going again. I couldn't ignore everything -- doubt is like having a gigantic wasp nest dangling by a thread over your head; no one can honestly pretend it's not there -- but I could choose to focus on the thing over which I had the most control. The thing I loved and I was pretty good at doing, too. Which I did, and here I am.

Here we are. Now what are you going to focus on?

Just Write

Today I'm off to write something new and post it online before midnight. Everyone inclined to do the same is invited to join me.

My link: More on Twenty-One (click on the title to go to the .pdf), with new material beginning on page 6.

For more details on Just Write, click here to go to the original post.

Image credit: My kid. :)

LT Secret Santa

Library Thing is holding their annual SantaThing, a secret Santa book-giving event for LT members, and here are some of the details:

"HOW IT WORKS

You pay into the SantaThing system (choose from $15–$50). You play Santa to a LibraryThing member we pick for you, by selecting books for them. Another Santa does the same for you, in secret. LibraryThing does the ordering, and you get the joy of giving AND receiving books!

Sign up once or thrice, for yourself or someone else. If you sign up for someone without a LibraryThing account, make sure to mention what kinds of books they like, so their Santa can choose wisely.

Even if you don’t want to be a Santa, you can help by suggesting books for others.

IMPORTANT DATES

Sign-ups close MONDAY, December 7th at 5pm Eastern. By Tuesday morning, we’ll notify you via profile comment who your Santee is, and you can start picking books.

Picking closes FRIDAY, December 11th at 5pm Eastern. As soon as the picking ends, the ordering begins, and we’ll get all the books out to you as soon as we can."

It's wonderful fun, and I'm participating again this year, so who knows - if you join in maybe I'll be your Secret Santa. For more information on what to do and how it works, check out the LT blog post here.

Glorious

While you're recovering from turkey day, here's a lovely short video on the beauty of Autumn (with background music, for those of you like my guy who have to work today):

Autumn Glory from Paul Frederick on Vimeo.

Wishing You

Bliss

Dear Starbucks:

I'm on a strict, sugar-free diet, but every year I allow myself a couple of treats, like a hot fudge sundae on my birthday in the summer, and one of your cranberry bliss bars while I'm out shopping for the holidays. For the bliss, I always go to the Starbucks counter at my local Target store. The kids who work there are cheerful, they never mess up my order, and they usually have one or two bliss bars left in the treats case (they're very popular with tired shoppers.)

I look forward to my cranberry bliss bar because it's one of my just-for-me holiday traditions. Also, it's delicious. I bring it home and sit on my porch while I nibble away and enjoy every bite. I also have a vanilla latte with it, as that's my favorite Starbucks drink, and the two go great together. Having this treat always gets me in the spirit of things. I don't know why; maybe it's the cranberries. I don't feel guilty for this one little indulgence every winter, either (if you don't understand why, give up sugar for seven years.)

I've always liked Starbucks. Your employees are great; I've never seen someone grumpy behind your counters. You offer delicious products, and you do it with style. There's always interesting music playing in your cafes. Every other customer I see there is working on a laptop, and I'm pretty sure at least half of them are writers. After work even my twenty-something daughter and her friends regularly hang out at one of your cafes near our house, which gives them a chance to talk and relax in a safe place. I don't understand their love of iced coffee -- not something my generation drank much of -- but hey, it's coffee (as opposed to liquor, weed, or something worse.)

I wish you'd been around when I was their age. I probably would have lived at a Starbucks.

Since this is the season to be grateful for our blessings big and small, thank you for all that you do to make the holidays brighter for your customers. Especially my cranberry bliss bar. I had it yesterday and it was wonderful, as always.

Cheers,

PBW

P.S. Love the cup design this year. Makes your logo look very festive.

Before I Get 500 E-mails

I get a pile of requests for this recipe every year around the holidays, so I'm going to save some time and post it now. It's for those of us who want to make fudge but can't be trusted with a candy thermometer (I have broken like a thousand):

PBW's Famous No-Brainer Fudge

3 cups Nestle Toll House semi-sweet chocolate morsels
1 can 14 oz. sweet condensed milk
1-1/2 teaspoons vanilla extract
dash of salt
[optional add-ins: chopped nuts, mini marshmallows, raisins, M&Ms etc.]

Put morsels, milk, extract and salt in a sauce pan and melt over low heat. Stir frequently to blend. When it looks like fudge -- after about 5 to 10 minutes -- remove from heat, stir in your favorite chopped nuts, marshmallows, M&Ms or whatever. Pour into pan (I use an 8" pie pan), spread out, cover with foil or plastic wrap and put in refrigerator. Chill for two hours, take out, cut into squares, enjoy.

Note on fancy toppings: Before you put in the fridge, you can also top the fudge with coconut, maraschino cherries, pecan halves etc.

SF Sub Op

Here's an open call from World Weaver Press for SF stories for their upcoming Last Outpost antho:

"Last Outpost
Submission Period: September 15 - December 15, 2015
Anthologist: Bascomb James

Third volume in the Far Orbit anthology series edited by Bascomb James. Series includes Far Orbit (volume one) and Far Orbit Apogee (volume two); Far Orbit Perigee (volume four, accepting submissions starting January 1, 2016.)

To protect from all enemies… World Weaver Press is expanding the Far Orbit anthology series with a new a new military science fiction anthology, Last Outpost. Last Outpost will be published in 2016. As the name implies, we’re looking for military adventure stories, page-turners that keep us on the edge of our seats. We’re not looking for mindless mayhem; we want compelling science fiction stories with a military theme.

Send us stories about grunts, space fleets, espionage, alien invasion (even if we are the aliens), hostage recovery, battle bots, drones and droids, cyber wars, special ops, inciting rebellions, or quelling them. Anything in the military action adventure genera is fair game. We’ll entertain biopunk, cyberpunk, solarpunk, and other punkish motifs but the story has to be a rip-roaring adventure. Please stay away from fantasy elements (wizards, magic, gods, etc.). Fan fiction is a definite no-no. Fantasy-like adventures (John Carter of Mars) have to be really special to be included in the anthology. Gore is OK but it has to advance the plot.

Please remember that this is a science fiction anthology. The action can take place on far off worlds or on Earth, in the far future or the day after tomorrow; so long as it’s a military themed science fiction adventure. If you can write a military space opera in under 10,000 words, go for it. We’ll be happy to read it.

Here are some submission tips from Bascomb James, the series anthologist.

I’m not a fan of the “everyone dies horribly” ending unless you can really move me.
I’m looking for subject diversity in the anthology. If you’ve written something different in this genera, I want to read it.
I love escapist adventures, mind candy, and thoughtful integration of technologies and aliens.
Read Far Orbit or Apogee to see my definitions of these concepts in action.

Previously published stories are acceptable but we will not publish stories that have been previously anthologized.

Rights and compensation: Payment: $0.01/word. All contributors will receive a paperback copy of the anthology. For previously unpublished works: Seeking first world rights in English and exclusive rights to publish in print and electronic format for twelve months after publication date after which publisher retains nonexclusive right to continue to publish for a term. For reprints: Seeking non-exclusive right to publish in print and electronic formats for a term. Previously unpublished stories preferred; reprints will be considered. No previously anthologized stories.

Open submission period: September 15 – December 15, 2015.

Length: Under 10,000 words

Submission method: Paste the story into the body of the e-mail message. Include the approximate word count. Subject line: Outpost – [Story Title]. Send submission to: farorbit[at]worldweaverpress[dot]com.

Simultaneous submissions = okay. Sending us many submissions at once = no.

Most submissions receive an initial reply (decline or shortlist) within a week. Final decisions in 2016. Anthology publication planned for summer 2016."

Just Write

Today I'm off to write something new and post it online before midnight. Everyone inclined to do the same is invited to join me.

My link: As promised, the beginning of Twenty-One (click on the title to go to the .pdf)

For more details on Just Write, click here to go to the original post.

Image credit: My kid. :)

NaNoNag #3

My college kid is working on a story this semester for her writing class. I haven't seen it yet and I get the feeling I'm not going to until after she's turned it in. We've talked about the plot, and at the time I made some suggestions, but she probably ignored them and did exactly she wanted. Creatively speaking she is very determined, focused, and not at all interested in my approval or input. Since she was a baby she's always wanted to do things on her own, in her own way. She might be a female copy of her dad on the outside, but that ornery creative independence definitely comes from my DNA.

She's also struggling with the amount of work involved, but she's not a writer. Don't get me wrong, the kid can write, and she could be a writer if she chose to be, but she has no passion for it. She pours all of hers into her art, which she will do happily for hours and hours without ever noticing how much effort she puts into it. Here's one of the little chibi she did last year (and she's even better now):



I don't think I'm being an overly-proud mom by saying she's got talent; the work says it all. But art wasn't always like this for her. When she first got serious about her drawing she had to work at it. She struggled, too; I think she erased as much as she drew. That is part of the creative process.

For most people National Novel Writing Month is a huge thing that they only do once a year because it's too much and takes up all their time and by this point they're exhausted, etc. You may feel that way now, and it's okay. It's like that for all of us when we first start. But when writing becomes your passion none of that matters. Your life is going to be National Novel Writing Month.

Should it be? That's a question you have to answer, and one way to find out is to write your November novel, and keep writing after NaNoWriMo ends.

Snow Birds

Watching this rather breathtaking video confirms my secret suspicion that all snow boarders are a little crazy; in the good, wish-I-was way (with background music and sound effects, for those of you at work):

NORTHERN EXPOSURE from Nitro Snowboards on Vimeo.

Off to Finish

I'm taking off today to finish a project for a client. See you tomorrow.

Image credit: Me!

Resurrecting SL

Back in June I mentioned that I had a SF story idea set (sorta) in the StarDoc universe that I've let percolate in my head for the last couple of years. While I still have ten million excellent reasons to never revisit StarDoc in any way shape or form, I want to write this story. No, honestly, I just want to stop thinking about it, and the only way to do that is to get it on the page.

So now that I've finished Ghost Writer the next Just Write story will be:



I haven't written any science fiction since I finished Dream Called Time in October of 2009, so this should be interesting, if not outright entertaining.

Image Credit: Molodec

Flashy

The other day I spotted a new idea-ology product from Tim Holtz, a mini deck of flash cards:



I bought them because I love all things idea-ology, and I thought they might be useful as story prompts, too. The deck contains 72 1.5" X 2.5" cards with thematic words on both sides:



Each word could be a prompt on its own, but with 104 words to play with you can come up with an infinite number of combinations, too. Here are four I drew at random:



And here are the words that were on the back of those four:



I got them for $4.99, which makes them a very affordable mini deck of inspiration. I think they'd make an excellent stocking stuffer for a writer pal, too.

Year of the Ghost

It's been one year since I decided to start ghost writing full-time on my own. Over the last twelve months I've learned a lot about freelancing, how to find work, and the best ways to avoid some of the problems that come along with writing for hire. Since I still write for the very first client I acquired on my own, I think I've done a decent job of it. It helps that I've been very fortunate in landing jobs with clients who are excellent to work with, and who respect and value me as a freelancer.

Naturally there have been some downsides to leaving traditional publishing to strike out on my own. I had to rebuild my income from scratch, and freelancing does not pay as well, so at first it was definitely a financial struggle. Only a few of my pro writer friends have bothered to stay in touch with me, but I expected that (and I never had a lot of them to begin with anyway.) I should also take some of the blame for losing the connections, as I can't talk about my work anymore due to NDAs, and I've never been particularly social. PBW initially suffered about a 50% loss of traffic in my first months of ghosting, which actually did surprise me -- but I think a big chunk may have dropped off because I stopped doing giveaways. I decided to end a seventeen-year-old contract with my agent, which was terribly difficult for me, but she understood and was gracious about it.

There are so many positives, however, I hardly know where to start. I'm so happy. I wish I could describe how it feels. Finally, finally, I'm able to simply write for a living. I don't have to deal with how it's published. I don't have to promote it. I never have to objectify myself in any way, shape or form for it. I just write, all day long, and I turn it in, and I'm done. After seventeen years of dealing with all the non-writing responsibilities involved in traditional publishing, it's been like a year-long vacation. I decide who I want to work with, and since I only take on projects that interest me, I'm never bored. I think the biggest shocker was when I tallied up all that I've written since last November. I've produced more work in these past twelve months than I have during any other year since I embarked on this career.

The greatest gift of all has been the chance to see what I could do. Last year I was in a bad place, with serious doubts about my ability to forge ahead. I think it was the two eye surgeries combined with the Toriana series being dropped; I wrestled with serious depression for months. My cure for the blues has always been writing, and striking out on my own as a freelancer at least gave me some work to do. It's now become what I think will be my second writing career. If you'd asked me a year ago if I'd still be a professional writer now, I probably would have said no. That I am instead writing for hire every day, and I'm happier than I've ever been since turning pro, says it all.

Just Write Sunday Edition

Today I'm off to write something new and post it online before midnight. Everyone inclined to do the same is invited to join me.

My link: The conclusion to Ghost Writer (click on the title to go to the .pdf), with new material starting on page 156.

For more details on Just Write, click here to go to the original post.

Image credit: My kid. :)

NaNoNag #2

Before I get to my second National Novel Writing Month nag I want to celebrate a little quilting finish line I just crossed:



I've been working for a few weeks now on this tote, which will be a holiday gift for the mother of a family friend who admired my needlework. When I began this project all I really had to go on was the mom's favorite color (purple), fabrics, laces and ribbons I bought from FancyCrazys, RavioleeDreams, and AbbyandEllie on Etsy, and some vague ideas on what I wanted to do.



I gave myself permission to do whatever I liked without worrying about rules, traditions, or what I've seen others do with their crazy quilting. Some of my ideas came out well and added to the experience library in my head. Others didn't translate the way I envisioned them, but that also helped me learn. I don't think I'll ever master a perfectly even herringbone stitch, or make a seed-beaded cretan stitch look like anything but an ornate zipper, but I will keep practicing and trying new approaches.



Part of being a creative person is the opportunity to learn and grow by doing. I can (and have) talk about my needlework all day long, but I'm not really a quilter until I'm actually doing it. That's why I go from one project to the next. Each day I spend a couple of hours being a quilter. It's not everything I am, but it's a big part of who I want to be.



Now change the quilting to writing, and consider yourself nagged.

Mmmma Petite

What the world's smallest chef goes through to prepare a bowl of soup (with music and background noise effects, for those of you at work):

Le Petit Chef - Bouillabaisse from Skullmapping on Vimeo.

Story Haunts

Someday I'm going to write a story with this house as the setting. I've visited it about a hundred times and walked through nearly all of its rooms more than once. I've stood inside and sketched some of the remarkable features, and photographed every inch I was allowed to (the tour people frown on interior pics.) I once sat in the back garden and wrote a poem. Every time I visit Savannah I have to go see it, even if we just drive past the place.

The Owens-Thomas House may not be as pretty or popular as some of the other fabulous homes in the city, but it's haunted me since the first time I saw it. Why? I don't know. It's just one of those places where place + person = mystery connection.

While settings aren't my favorite story element, I always try to make mine interesting, and often invest them with some sort of personal connection. The twin staircases in the front of the Owens-Thomas House also lead up to the front entry of Walsh's Folly in Disenchanted & Company. Julian's house in Ghost Writer is based on one we rented some years back while looking for a home of our own. Even Lucan's nightclub in Dark Need from the Darkyn series once existed in real life; in my twenties I worked as a bartender in a place exactly like it.

Naturally your story settings don't have to be based on actual locations (would have been tough for me to do that with StarDoc), but it helps to have some knowledge of a real-world counterpart when you're working in a fictional location. This map I drew of the warehouse I used for a few scenes in Nightborn was not entirely invented; many of the interior features came from my memories of a warehouse belonging to a paper distributor that I once worked for about twenty years ago. That knowledge of the physical features helped me better choreograph the scene because I remembered what was inside, how the shelving and equipment looked, the sort of obstacles they'd create, etc.

As for the story I'm going to someday write about the Owens-Thomas House, I'm waiting for the right inspiration -- and in that setting can help, too. Since the house haunts me for reasons I don't know, it would work great as the setting for a paranormal story.

Gated Away

While out of town last week I had the chance to spend a day in Savannah, and because I'm not crazy I carried my camera with me wherever we went. I always notice new things about my favorite American city whenever I visit, and on this trip it was all about gated spaces:



Sometimes when you see a bunch of stuff like this one little thing captivates you.



Like this little guy.



Some gated places seem to whisper of secret lives, trysts, and other things that happen once the rest of the city goes to sleep. I have a huge story brewing now just from this one pic.



Others definitely say not for you -- keep out.



My favorite spots still remain open to the public; right there for you to walk up and sit by and admire. So while I enjoying peeking over a gate now and then, I'm much more in love with where I can roam freely.

The next time you travel, take your camera with you when you're walking and snap whatever fascinates you. You never know where you might find some story.

Blockbuster Ten

Ten Things You Can Do to Bust Writer's Block

Break It Promise: Make this deal with yourself: if you write for the next thirty minutes, you can take thirty minutes off to do something fun. If thirty minutes seems too long, try fifteen or ten.

Celebrate: Throw yourself a Writer's Block party with your real-life people. Order in Chinese or Pizza. Ask everyone for suggestions on how to beat your block. Offer silly prizes for the best suggestions.

Change POV: Switch the POV to another character. Try telling your story from the point of view of other-than-protagonist characters, too, like a secondary, a hidden character, or the antagonist.

Clean: This is my favorite method for getting back on track with writing -- I tidy a room, vacuum the carpet, dust, or do some other housework for an hour. Cleaning always works out my frustrations and makes me feel better. By the time I'm finished I always feel like I've gotten rid of the internal cobwebs and dust bunnies, too.

End it: Stop writing whatever you're working on and write the very last chapter of that story.

Move On: Often a block is caused by a difficult-to-write scene. If that's the case, tag the place for the scene with a short reminder (i.e. [write fight scene between A and B]) and move on to the next.

Musical: Stop writing and listen to some inspiring music for fifteen minutes. Or take a break and put together a playlist for your story, and then listen to the piece you choose for the place where you stopped in the story and use the music to help you better visualize your scene.

Relocate: Take your writing and go somewhere else to write. Try different and new locations like a park, a library, or a cafe you've never visited. See where you're most productive and write there for a week.

Shutdown: If you can't write because your story seems trite, you've lost interest in it, you can't figure a way out of a plot problem, your characters have turned into wallpaper or any of a thousand other causes for your writer's block, why bother? Shelve the story and start a new one. You can always go back to the story you shelve if you want to have another go at it.

Timely: This is a way to start short and build on what you can do. Begin by writing five words. Take a short break. When you come back, write ten more words. Take a short break. When you come back, write twenty more words. Take a short break. Continue on by doubling your wordcount every time you come back from a break until you're back writing at your optimum rate.

PBW's Book of the Month

Now that I'm home I can catch up on my blog posts, like my pick for book of the month for October, which is Only a Kiss by Mary Balogh.

Only a Kiss is the sixth novel in the Survivors' Club series, and tells the story of Lady Imogene Barclay, the only female member. To give you a short version of the series premise, the club is formed of seven people who were injured either physically or emotionally (sometimes both) during the Napoleonic Wars and came together afterward to heal and help each other. Imogene is the only female Survivor, and since she was captured by the French along with her husband, the Earl of Hardford, I thought I had her story figured out before I began reading the book. All you really know about Imogene from the previous books, however, is that she witnessed her husband's death, and that she never talks about it. When she's not meeting up with the other Survivors Imogene lives very quietly on her husband's estate in Cornwall, at least until the new Earl, Percival Hayes, decides to finally come and see what he'd inherited.

Mary Balogh is our generation's Jane Austen, and this novel showcases why. In addition to being extremely well-written and deviously plotted, it offers a bit of a role-reversal, with a heroine struggling to deal with her past while being haunted by it, and a lovely, happy hero who shows up to help and change everything in the process. Don't make assumptions about Imogene, either, because when you do finally discover exactly why she's a Survivor it will stun you. I found this story a beautiful read, as well as one that made me cry (the revelation is a heart-wrencher) but that's all part of the very real magic Mary instills in her work. All of the novels in this series are basically standalones, so you don't have to read the previous five to keep up.

Here's where you can buy a copy:

Barnes & Noble

Amazon

Just Write Sunday Edition

Today I'm off to write something new and post it online before midnight. Everyone inclined to do the same is invited to join me.

My link: More on Ghost Writer (click on the title to go to the .pdf), with new material beginning on page 151.

For more details on Just Write, click here to go to the original post.

Image credit: My kid. :)

NaNoNag #1

Today wraps up the first week of National Novel Writing Month, much of which I actually spent on the road and rubbing shoulders with other creative types while sorting out what we need for the daughter's college transfer. At one point we went on a tour that allowed us to walk through several classrooms filled with working students, and the one thing I noticed nearly all of them had was that lovely determined focus; some didn't even seem to realize a dozen strangers were traipsing through their work space.

I envy that, particular now that I'm back home and dealing with my own distractions. Today we had the annual pre-holiday carpet cleaning, and half my house is in shambles, and everyone is also home and underfoot. I love these people, and I will get my house in order again, but I also need to write. So I've locked myself in the office (for now) and if things don't quiet down later I will pack up the laptop and head over to the library.

I'll do this because I must. Yes, I am mom and housewife and domestic crisis manager, but I'm also a writer. No one else in the family is a writer, and while they say they understand that I can't magically produce two thousand words by snapping my fingers, they actually don't.

It's all in how they measure my work time. It will only take fifteen seconds for them to ask me where they left their car keys, and then two minutes for me to help them look for them. Never mind that the two minutes and fifteen seconds disrupts an entire hour of work, and breaks my concentration, and takes my brain and my bod away from the work. Surely I can put the work aside for an hour to cook a meal for them; they're hungry, and after all I'm just writing. And of course I can always go back and start again once I've fed them or found their misplaced thing or done whatever else they want.

This, after seventeen years of me writing professionally, seems ludicrous -- but it is what they really think, and that is what will never change unless someone else in this family decides to become a pro writer (not holding my breath for that.)

While you're trying to write your NaNo novel you'll probably have something similar happen (if it hasn't already.) It's easy to get flustered and frustrated and even angry with unwanted distractions. Don't let them rattle you or throw you off course. Be patient and explain -- one time -- that you're working. Ask for their support. If they can't respect that, or they are unable or unwilling to support you, pack up your writing and relocate to a place where you can get some work done.

Stay at home parents, I know you can't always pick up and go, so you might have to resort to the alternative of waiting until they're at school or down for a nap or the night. Or you may have to get a sitter, or just write in ten- and fifteen-minute snatches while they're quiet. With two in diapers I penned my first published book during half-hour writing sessions at their nap time and one hour after they were in bed, so believe me, I understand.

Part of the reason writing is hard work is that sometimes it's hard to work. Keep your focus on what you can do, and let go of what you can't. Create new opportunities to write: give up television, get up an hour earlier, write during your lunch hour, etc. Hang on to your focus, and your determination. You can't snap your fingers and make that two thousand words appear out of thin air, but you can find the time and chance to write them in peace.

Dream Pursuit

This gorgeous short film reminds us that the chase is often as wonderful as the prize (with background music, for those of you at work):

Viridian from Harshit Desai on Vimeo.

Off to be Mom

My daughter asked me to spend a couple days with her to sort out some college-related stuff, so I'm unplugging today and tomorrow to do that. See you on Friday.

Lost in the Details

I'm nearly finished a holiday gift project that I started when I finished the tropical quilt, and for once I'm trying to edit myself a little more with the embellishments. Curbing my enthusiasm for beading and lace helps prevent the stitchwork from getting buried. For example, one panel ready for embellishment started out looking like this:



And now is looking like this:



I originally had lace motifs all over the blocks, on the intersecting corners of the ribbons, etc. It looked very fancy -- and very crowded. More is not always better; sometimes it's just more. So I limited myself to two lovely motifs so my embroidery wouldn't get lost in the details.

Here's another example of less versus more:



When you're telling a story, you're giving a reader a lot to remember just with the people, places and plot you create. So when you do get into the details, remember to choose carefully what you embellish, and make sure all your other elements don't end up eclipsed by the fripperies.



I tend to write like I quilt, too -- bare bones first, establishing a solid foundation by focusing on the dialogue and characters and action. Later during my daily edit I'll add the embellishments (although not always; sometimes a scene comes out on the page with all the sensory bells and whistles from the get-go.)

How do you handle writing all the little details? Share your wisdom in comments.

Flash Sub Op

Spotted this no-free open call/competition for extremely short flash submissions over in the Paying Markets forum on AbsoluteWrite.com:

"Haunted Waters Press seeks exceptionally small works of flash fiction to be showcased in Penny Fiction, a regular feature of the literary journal, From the Depths. Stories will also appear in the Penny Fiction Poster Collection.

GUIDELINES
The Penny Fiction Flash Fiction Competition will be held in three rounds.
Round One: November 1, 2015 - December 31, 2015
Round Two - January 1, 2016 - February 29, 2016
Round Three - June 1, 2016 - July 31, 2016
We seek flash fiction stories told in exactly 16 words. No. more. No less.
One entry per author, per round. Multiple stories per entry encouraged.
Winning Entries announced within 14 days of the close of each round.
No entry or reading fees.
See full Contest Rules below.

GRAND PRIZE
One Grand Prize Winner Per Round
$25 and publication in the 2016 issue of From the Depths plus online Featured Author Interview

RUNNERS UP
Publication in the 2016 issue of From the Depths plus Author promotion via Facebook, Twitter and HWP News.

Thank you for considering Haunted Waters Press! We look forward to reading your work."

For more info, see their guidelines page here.

Just Write & NaNoWriMo

Today we officially kick off National Novel Writing Month, the annual writing event during which scribes around the world spend the next thirty days working on a novel. To win, participants must write fifty thousand words in one month (no easy task) while cheering and being cheered on by their writer pals. It's utter madness, too, but that's kind of the point.

Work prevents me from officially joining in this year, but I will be writing 51K during November for my clients, so consider me on board in spirit, anyway. Throughout the month I'll be offering what links, resources, ideas and words of wisdom I can to help out. As I do every NaNoWriMo I've also put up my writing how-to e-book, Way of the Cheetah (click on the title to go to the .pdf), which will be available to download, print and share for free until December 1st.

Today I'll tell you the most important bit of writing advice I ever got via romance author Susan Elizabeth Phillips: whatever you do, protect the work. That doesn't just apply to NaNoWriMo, but everything you do on the page whenever you do it. While you are the creator of your stories, and the curator, you're also the guardian. So how do you protect the work? I think the first step is to recognize that they have value -- and I'm not talking about financial, although if you someday sell your stories, that's definitely a possibility.

The work is your treasure, imagined and crafted and brought into existence by you. No one else can tell a story in your words but you, which makes each one you write priceless. If you've never regarded your writing in that light, maybe it's time you should. Stop whining about the work involved. Make time for it. Ask others to respect your writing space and sessions. Don't ask for critiques until the work is ready to be read by others -- and pick carefully who you consult with for writing advice. Finally, get it done before you show it or shop it around. If you were in a workshop creating a diamond necklace, do you think you'd invite random strangers to come in and lean over your shoulder and critique your efforts while you were setting the stones? Why should writing be any different?

It's not going to be easy to write 50K in 30 days, but nothing worthwhile ever simply drops in your lap. That's why we call it the work, and writing can be a lot of hard work over long hours for what seems like little or no reward. Even when you do get something finished and put it out in the world for others to experience, most of the time you won't get back what you put into it.

That said, I think the work itself should be the primary reward. It can also be amazing, incredible, thrilling, flat-out fun. So there's the bit I'll add to the advice pile: Whenever possible, let this be fun for you in any and every way. Have a good time with it. Enjoy!

Since today is not only the start of NaNoWriMo but Sunday, I'm off to write something new and post it online before midnight. Everyone inclined to do the same is invited to join me.

My link: More on Ghost Writer (click on the title to go to the .pdf), with new material beginning on page 147.

For more details on Just Write, click here to go to the original post.

Images credit: Me and my kid. :)

Wishing You

Everywhere

While watching this lovely short video I thought, Yep, this is us. All of us (with background music, for those of you at work):

M U S E from Gunther Gheeraert on Vimeo.

LT Early Reviewers

My third book from Library Thing's Early Reviewers program was The Florida Land Boom of the 1920s by Gregg M. Turner. A historian who has already written a number of books about the state where I grew up, Mr. Turner this time tackled a period of land development and real estate that built and destroyed fortunes, transformed a tropical backwater into a much-desired destination, and attracted millions hoping to find paradise and make their dreams come true.

Land booms in Florida are definitely regular events. My family moved from Maryland to South Florida during one, while my guy and I later moved away to escape some of the many problems caused by another. On average 803 people currently move to Florida every single day, which last year helped push the state past New York to become the third most populous in the union (only #1, California, and #2, Texas, presently have more residents.) Twelve hundred miles of beaches certainly don't hurt, nor do the very low taxes (Florida ranks fifth in the nation for states with the lowest tax burden.) Close to ninety million people simply visit Florida every year to work on their tans, take the kiddies to Disney World, Universal and a plethura of other theme parks, and otherwise bask in the Sunshine State.

From the beginning of the book I was impressed, not only by the author's meticulous research, but also by how he explored the fascinating people involved. We can thank developer George Merrick, for example, an aspiring writer who dreamed of building a "City Beautiful", for Coral Gables, and world traveler and (admittedly unlicensed) architect Addison Cairns Mizner for Boca Raton. Sarasota owes quite a bit to circus king turned developer John Ringling, who came on his yacht to visit the city after being snubbed by high society in nearby Tarpon Springs. Yet for every visionary there were scammers and criminals waiting to rip off and defraud the unwary; after being sentenced to prison for investment fraud in Massachusetts the infamous Charles Ponzi worked a scam to sell ten million building lots to investors that were too tiny to build on, located in the middle of nowhere, or drowning in swamp water.

This book is also chock full of fascinating advertisements and photographs related to Florida's 1920's land boom, and the men who drove it. I think reading the original ads used to lure new residents to the state are the most fun. The promises these guys made were often even more outrageous than their plans. The one thing they didn't mention in addition to the balmy sea breezes and warm winters was hurricane season, or how often Florida is hit by these monster storms. A category 4 storm made landfall in 1926 to wipe out greater Miami, cross the state and ravage the west coast, and then zip up the Gulf to batter the panhandle. Just one storm killed 400 people, injured 6,300 and rendered some 18,000 homeless.

Gregg M. Turner does a terrific job of pulling together bios, backgrounds, business ventures and thousands of little details to portray this chaotic and ultimately very costly time period. Students of Florida history should definitely invest in it, but it's a pleasure to read for anyone who loves the richness of the past, the mistakes our predecessors made in those times, and what we all might learn from them.

Sub Op

I spotted this open call over in the Paying Markets forum at AbsoluteWrite.com:

"NineStar Press is seeking submissions of MM paranormal and contemporary romance novellas & novels.

For paranormal, think shifters, vamps, angels, demons, magic.

For contemporary, think modern love in a modern world. Doctors, firemen, rockstars, businessmen, baristas…and etc!

Our rates are competitive and our terms author-friendly. We’re launching on November 23 and already have 40+ titles in production – and what we need now is some delicious MM paranormal & contemporary to add to our spring/summer 2016 lineup!

Each book receives gorgeous cover art, extensive editing, a full marketing schedule, and wide release at all major retailers.

Books over 50k will also go into print within 1 year after the digital release. We also release in audio.

We are looking for works from 12k to 120k+. No short stories at this time unless full erotica.

Heat rating can be explicit or PG or anything in between.

For details on how to submit, visit www.ninestarpress.com and click on Submissions.

Please note we are still open for general LGBTQA+ works as per our submissions info page."

6 Days and Counting

In less than a week National Novel Writing Month begins, and for the entire month of November writers around the globe will be writing like maniacs to get 50,000 words done in thirty days. It's crazy, and crazy fun, and if you've never tried but want to I encourage you to do so. Everyone has a book in them, and NaNoWriMo gives you the opportunity to get it out and take it for a wild ride.

I've rifled through the PBW archives and pulled these links to help get your engine started:

Word count widgets: links to the official and unofficial NaNoWriMo progress meters so you can track and share how well you're keeping up.

Micro-Outlining: If you want to outline but find the usual templates and worksheets daunting, try my SCARAB approach to micro-outling.

Naming: If you're having a tough time coming up with character names, try this online random name generator that you can customize with gender, nationality and even some genres.

Organize: Hiveword is a free online novel writing organizer that can help you map out your story before you write it.

Pep Talk: I wrote this post a few years back to offer some ideas on how to cope with pre-Nano fears and doubts.

Story Carding: for an alternative and fun way to outline your novel, try this idea that uses trading cards you make with a free online generator.

I'll also be around throughout the month of November to offer advice, encouragement, helpful links and otherwise shake my NaNo pom poms for you all. In the meantime, if anyone has any questions or is looking for a particular resource related to NaNoWriMo that can't wait, let me know in comments and I'll see if I can help.

Instant TBR

I stopped by my local Dollar Tree store last Friday to pick up some mailing envelopes, and noticed they had a really nice selection of hard covers and paperbacks, too, so I invested in ten by authors I've never read:

The Door Through Space by Marion Zimmer Bradley (yeah, I know, but I've never read her. Honestly.)

Telegraph Avenue by Michael Chabon

The Lingering Dead by J.N. Duncan

Absolution by Patrick Flanery

News from Heaven by Jennifer Haigh

The Aviary Gate by Katie Hickman

Gary Jennings' Aztec Revenge by Junius Podrug (An editor thought up this title. I'm sure of it. Also, a disclaimer: I did read Gary Jennings' first Aztec book before he went on to the next place.)

The Deadliest Sin by Caroline Richards

The Andalucian Friend by Alexander Soderberg

The Taint of Midas by Anne Zouroudi


Six hardcovers, two trades and two paperbacks for a grand total of ten bucks; I defy anyone to beat that price for brand-new books. It also helps my book budget to buy remainders when I want to try some new authors. I then I donate the books to our local Friends of the Library for their annual sale, so they'll be passed along for more folks to discover.

The Florida Land Boom of the 1920s by Gregg M. Turner, the third book I've gotten for free from Library Thing's Early Reviewers Program, also just arrived. I'm looking forward to diving into it this week. It did take about seven weeks for the publisher to send it to me, just FYI for anyone who is thinking about joining the program -- sometimes you do have to wait a bit for them to arrive.

Library Thing will also be kicking off their annual Santa Thing book exchange, which I'm thinking about doing again this year because it's always fun to discover what other book lovers think I should be reading. I might request e-books this time around, though, to get some new reads on the Nook and see if I can motivate myself to start using the e-reader more frequently than once or twice a year.

How are you getting cheap or free books these days? Let us know in comments.

Just Write Sunday Edition

Today I'm off to write something new and post it online before midnight. Everyone inclined to do the same is invited to join me.

My link: More on Ghost Writer (click on the title to go to the .pdf), with new material beginning on page 141.

For more details on Just Write, click here to go to the original post.

Image credit: My kid. :)

Sub Op

I spotted this open call for an antho with an interesting theme over in the Paying Markets forum at AbsoluteWrite.com:

"Ylva Publishing is looking for lesbian fiction short stories for an anthology. The protagonists should be involved in the publishing anthology, for example, a writer doing “research” for a love scene, a sexy librarian who doesn’t quite fit her profession’s stereotypes, a bookstore owner who has a secret crush on one of her customers... The possibilities are endless.

Stories can be romantic, humorous, or erotic.

Stories should be 4,000 to 8,000 words in length, previously unpublished, and written by a female author.

Writers whose stories are selected for the anthology will receive a one-time payment of $40 (via PayPal), two complimentary copies of the anthology in print, plus a free e-book in each format (epub, mobi, pdf).

The deadline to receive submissions is March 1, 2016."

For more info, see the guidelines page here.

Quick Trip

Spend a day in Denver, Colorado in less than four minutes (with rather thrilling background music, for those of you at work):

One Day on Earth - One Day in Denver from Ryan Dravitz on Vimeo.

Trivial & Sub Op

I was at BAM the other day picking up the new Mary Balogh book when I saw a big display of adult coloring books. Since I keep reading about these things online I decided to have a look. For all the other old people out there who don't get it, they're just book versions of the old DoodleArt posters from the seventies (and here's how old I am -- I actually colored in the entire Jungle edition poster back in the mid-70's.) I still don't get why they're so popular, but since I like to draw Zentangles I'm not going to judge.

World Weaver Press has an open call for their upcoming Siren-themed spec fic antho: "Sirens, the fourth title in Rhonda Parrish's Magical Menageries anthology series from World Weaver Press featuring Fae, Scarecrow, and Corvidae, is seeking submissions right now.

Greek mythology describes the Sirens as being charismatic monsters; part bird, part woman, with enchanting voices whose songs either lure men to, or foretell, their deaths. In Roman mythology they play a similar role but shift their domain to the sea and take the form of mermaid-like creatures. Mythological Sirens such as these come with a capital ess; there are only a small number of them, they have names, Godly parents and occupations. Those Sirens are welcome within the pages of this anthology, but so are their lower-case sisters.

In Sirens, we will honor and share stories of historical Sirens, but we’ve equal room for modern re-imaginings and will be giving matching space to both avian and aquatic varieties.

Whether from the sea or sky, sirens are beautiful, dangerous and musical, and we’re open to works that exemplify as well as those which defy those expectations.Sirens will be a book full of tales that evoke a vast spectrum of emotions toward these maidens, empathy, disdain, sorrow, awe and anger. I want stories of wretched and cursed sirens who fight against the roles imposed upon them and tales of those who revel in them. I’m hoping for pieces re-telling or playing upon the traditional myths and others which create their own mythologies, and all the little niches in between.

We are looking for speculative stories up to 7,500 words long.

Rights and compensation: Payment: $10 and a paperback copy of the anthology from World Weaver Press. We are looking for previously unpublished works in English. Seeking first world rights in English and exclusive right to publish in print and electronic format for six months after publication date, after which publisher retains nonexclusive right to continue to publish for the life of the anthology.

Open submission period: August 15 - November 15, 2015

Length: Under 7,500 words

Submission method: Email story as a .doc or .rtf attachment to fae [at] worldweaverpress [dot] com. Subject line: Sirens Submission: TITLE

Simultaneous submissions = okay. Multiple submissions = no."

For more information, see their guidelines page.

Halloween Reads

I'm looking for spooky reads for Halloween. I usually go with a romantic suspense but this year I wouldn't mind a good mystery, or an intelligent horror (yes, there is such a thing) novel.

I have a strange relationship with horror. I really like it when it's smart and elegant, particularly if it involves a haunted house. Not so crazy about the gratuitous slasher/gore variety. After much beating around bushes I finally tried Joe Hill by reading his book Horns over the summer (it was one of those buy two get one free deals, and I can only read so many wallpaper historical romances before I develop an aneurysm.) He's definitely intelligent horror, and his dad's boy in many ways, but I think he's read Catcher in the Rye a few too many times.

On the other hand -- and the opposite/far end of the horror spectrum -- Chuck Wendig (who I think is writing like Star Wars books now) can write gory horror, which I really don't care for, quite well. I paid full price for his book Double Dead and did not regret it, even when things got uber gory with cannibals squatting in a Wal-Mart. He also had one of the best endings of all time in that book (and please note Wendig's novel is extremely violent, gory, bitter, and not something I'd rec for the faint of heart whatsoever.)

I usually read an Anne Rice book around Halloween. I think this year I'll go with The Witching Hour since I haven't read that one in a few years. Beautiful book, way over written (it's over a thousand pages, and I think there are as many characters, too) but by the time you get into the Mayfair family tree you don't care.

As for my Halloween rec, I have to go with Anne Frasier's Pretty Dead, which was my September book of the month. You don't have to read Play Dead and Stay Dead, the first two books in the series, to follow along, but if you haven't read them you're really missing out.

So what spooky read do you recommend for some fun Halloween reading? Got one of your own you want to tell us about? Let us know in comments.

Match Game

Let's play a game. Match the writer with their unusual quirk:

The Writers

1. Charles Dickens

2. Dan Brown

3. Wallace Stevens

4. Sir Walter Scott

5. George Bernard Shaw

6. PBW

7. Dr. Maya Angelou

8. Ernest Hemingway

9. T.S. Eilot

10. John Steinbeck

The Quirks

A. Wore green-tinted face powder and lipstick while writing.

B. Always wrote standing up due to pain from an old leg injury.

C. Wrote in a shed mechanized to slowly revolve.

D. Wrote on horseback.

E. Would take a Bible, a copy of Roget's Thesaurus, a deck of cards and a bottle of sherry to a small hotel room to write.

F. Stopped every hour while writing to do sit-ups, push-ups and stretches.

G. Kept a comb nearby and used it hundreds of times per day while writing.

H. Could not write with loose hair; always wore it tightly bound, braided or pinned up while writing.

I. Wrote while walking.

J. Always kept twelve perfectly sharpened pencils on the desk.

Post your best guesses (no Googling!) and tell us if you have an unusual writing quirk, too. The correct answers will be provided in comments at the end of the day.

Outline 14

Someone (you know who you are) asked me to repost a list of links I put together back in 2012 to help with outlining a NaNoWriMo novel. Here you go:

Planning, Scheming, and Plotting by Stephannie Beman -- Stephannie talks about her method of sketching out a nice, brief checklist to loosely organize her stories in advance of the writing.

Keith Cronin abstains from Roman numerals in his hybrid pantser-plotter approach to outlining, The Big O.

For those who prefer to write the classic synopsis as an outline -- there are one or two of you like that, yes? -- Charlotte Dillon has a fabulous page of info and links here.

If you'd like to organize your outline online, I recommend trying Hiveword, Mike Fleming's free online novel writing organizer, which I demo'd and reviewed here.

If you hate the idea of outlining at all, you may get some comfort (and ideas) from Crawford Kilian's post Writing Without an Outline.

Advice from a master: Effectively Outlining Your Plot by Lee Masterson

Alicia Rasley's classic article Outline Your Novel in Thirty Minutes asks all the right questions; you provide the answers.

For a very brief outline, test drive my one-page ten point novel concept outline template (the first page is the blank template; the second is filled in as an example.)

If you like Randy Ingermanson's Snowflake Method of outlining, you'll probably also love TextTree, a freeware written as a companion program for it.

TiddlyWiki is a free service that provides a reusable non-linear personal web notebook (LJ Cohen did a terrific virtual workshop a few years back on how to use TiddlyWiki to organize your novel.)

Try virtual whiteboarding with the free online service Trello, which I demo'd and reviewed here.

Juliette Wade's Sequence Outlining offers an event-driven method of outlining.

Writing.com has a Blank Novel Outline worksheet here.

And finally, a post I wrote that after five years remains the #1 most popular on PBW, my Novel Outlining 101.

Off to Work

I have to finish up a project for a client, so there will be no Just Write this weekend. See you tomorrow.

Count 'em Ten

Ten Word Count Widgets for NaNoWriMo

AllIndieWriters.com's Wordcount Tracker

Another Little Progress Meter

Critique Circle's Word Meter Builder

Language is a Virus's simple NaNoWriMo Word Meter

NaNoWriMo's page of official participant wordcount meters

ProgPress is a word meter plug-in for the WordPress (hasn't been updated in a while, so caveat emptor)

StoryToolz's word count meters page (must register to gain access but it's free)

Writeometer, which I think is an Android App

Writertopia's two wordcount meters

Writing Journal, which is a free iTunes time tracker & word meter

Drifting Back

A bit of personal nostaliga this week: this lovely video was shot in Monterey, California, where I lived for while, and shows some of the spots where I'd sit and watch the sunset (with background music, for those of you at work):

Adrift from Brendan Lim on Vimeo.

It's Official

I'm in love:



So cool. Okay, you win by getting married, so probably not for the feminists, but still. How often do you see one of your all-time favorite novels get made into a board game? The web site where you can order it is here.

Image credit: September 2015 issue of Victoria magazine.

Sub Op

Sci-Fi Romance Quarterly has an open call for stories for their ninth issue:

"THEME FOR ISSUE 9: None (all SFR submissions welcome)

Length: 2,000 to 7,500 words.

Payment: 2.5 cents/word (US) paid upon publication, promotional biography with two links, and a complimentary quarter-page advertisement.

Deadline for Issue #9: 15 November 2015.

Rights sought: Six-month exclusive world digital rights from date of publication; non-exclusive thereafter.

Other info: One short story will be published per issue. Please send only edited and polished work. Due to time constraints, we are unable to give personalized feedback on rejected stories.

Stories that tie-in to a previously established world will be considered, but story must stand alone.

All sub-genres of science fiction will be considered.

Any heat level, from sweet to erotic, will be considered. Original, previously unpublished fiction only. No fan fiction, please.

Story should meld the Science Fiction and Romance genres, and must have an upbeat ending.

Not quite sure what we’re looking for? Read our original fiction in previous issues.

No multiple submissions. No stories that have previously been rejected by us.

Simultaneous submissions are accepted, but please inform us if the story is placed elsewhere.

Submit: Standard manuscript format, please. Send brief cover letter with biographical information and publication history, along with attached story (.RTF or .DOC format) to Diane Dooley — Fiction #at# SciFiRomanceQuarterly #dot# org — by deadline."

Hmmm

I can't decide if I like the participant badge design for this year's National Novel Writing Month:



So it's not as awful as that one year when they went with the Gameboy-style design. I like the colors, but the graphics make me think more of writing journals than novels. The hodge-podge font is hard to read, and the design is on the clunky side (and before anyone asks, I was not the model for the crooked hands. Mine aren't that crooked.) On the other hand it's not as awful as that one year when they went with the Gameboy-style design.

What do you think? Let us know in comments.

Free Online Mapper

Wise Mapping is a free open source "web mind mapping tool that leverages the power of Mind Maps mixing new technologies like HTML 5.0 and SVG. A mind map is a diagram used to represent words, ideas, tasks or other items linked to and arranged radially around a central key word or idea. It is used to generate, visualize, structure and classify ideas, and as an aid in study, organization, problem solving, and decision making. It is an image-centered diagram that represents semantic or other connections between portions of information. By presenting these connections in a radial, non-linear graphical manner, it encourages a brainstorming approach to any given organizational task, eliminating the hurdle of initially establishing an intrinsically appropriate or relevant conceptual framework to work within. A mind map is similar to a semantic network or cognitive map but there are no formal restrictions on the kinds of links used. The elements are arranged intuitively according to the importance of the concepts and they are organized into groupings, branches, or areas. The uniform graphic formulation of the semantic structure of information on the method of gathering knowledge, may aid recall of existing memories." You can download this one or use it online, and the currently supported browsers are: "Microsoft Internet Explorer 8 and above. Google Chrome 19 and above Firefox 12 and above. Safari 5 and above. Opera 11 and above. Important: Internet Explorer 8 require the installation of Google Chrome Frame plugin."

Just Write Sunday Edition

Today I'm off to write something new and post it online before midnight. Everyone inclined to do the same is invited to join me.

My link: More on Ghost Writer (click on the title to go to the .pdf), with new material beginning on page 135.

For more details on Just Write, click here to go to the original post.

Image credit: My kid. :)

Flash Sub Op

For those who like to write flash, here's an open call for mystery/suspense fic:

"FLASH BANG MYSTERIES is open to submissions until October 31, 2015. We're currently considering stories for the Winter Issue, which will go live in January of 2016. The detailed guidelines can be found on the Submissions page of the website, but here's the lowdown:

Flash fiction ONLY between 500 and 750 words
Mystery/suspense of all types (police procedural, private eye, amateur sleuth, cozies, hardboiled, etc.). Basically, if it involves a crime and it is within our guidelines, we would love to consider it.
We want stories that feature believable characters who speak naturally, realistic situations that bleed conflict, and surprise endings that stay with us long after we reach the final period.
We welcome new and established authors.
$10.00 one-time payment, via PayPal, upon publication."

(Found over in the Paying Markets forum at AbsoluteWrite.com.)

Next Gen Yarn Bombing

We can 3-D print anything these days, even computer-generated knitted garments -- as you'll see in this promotional video for an inexpensive computer-controlled knitting machine (with background music, for those of you at work):

Made In the Neighbourhood (ft. a clothing printer, OpenKnit) from Gerard Rubio on Vimeo.

No Name Required Sub Op

Just a note for anyone who did not stop by last week -- PBW's weekly Just Write feature has moved to Sundays and will be staying there indefinitely.

Here's an open call I spotted over at AbsoluteWrite.com's Paying Markets forum from a new SF e-zine startup launching January 1st; the interesting part is that they want blind submissions, and don't want your name unless they accept:

"Metaphorosis is a new online semi-pro magazine of speculative fiction. What we want:

style – We want writers who use language beautifully – so that words aren’t just the carrier for your story, they’re part of the scenery. We want the poetry of Roger Zelazny, the finesse and ingenuity of Jack Vance.
mood – We want stories with atmosphere, where mood is an important element. Think Patricia McKillip.
character – We want stories with characters – real people with real emotions, whether those people are aliens or trolls or both. Think Arthur C. Clarke.
intellect and emotion – We want writing that makes us think and feel. We want the intellect of A. A. Attanasio, the social awareness of Ursula Le Guin, the impact of George R. R. Martin.

See our submission guidelines for details.

Timing:

We are now open for submissions! We launch on 1 January 2016

What we pay:

We pay a semi-pro rate of $.01/word. We'd love to raise this, and will do so as soon as funding allows. See our Patreon page for information about where new funding would go.

What we're buying:

The guidelines have details, but we're buying first English rights and non-exclusive anthology rights (monthly for Patreon supporters, and a best-of annual). Sample contracts are posted on the submissions page.

What else:

Submissions are blind. We ask that you not include your name in the submission itself, and we generally won't see your name until/unless we accept a piece.

We pay via PayPal, immediately on acceptance.

Reprints: no, Multiple: yes, Simultaneous: yes

We also buy cover art at $50/piece (nonexclusive, reprints okay)

We'll aim to give brief personal feedback, including telling you by which page we decided a story wasn't for us. Depending on the level of submissions, we may have to curtail this, but we'll try.

Promotion:

We'd appreciate your spreading the word to other writers and artists. And, of course, come read the magazine on 1 January!"

Titlepalooza

Got these SF story titles from FantasyNameGenerators.com's book title name generator:

Veteran Of Life
Girl Of Darkness
Foreigners Of The Moon
Agents Of The Sun
Officers And Recruits
Traitors And Men
End Of The New Order
Border Of The Stars
Mother Of The End
Perfection Of Time Travellers

Not everything you'll get is usable, but there will be a couple that are interesting (A Perfection of Time Travellers would make an awesome short story title.) If you hover over the categories at the top of the page, you'll see links to the other five million or so free naming generators at the site, like the tavern name generator, which gave me this list:

The Secret Bat Pub
The Open Shoe Bar
The Huge Rabbit
The Gullible Sugar
The Spotless Unicorn Bar
The Dusty Cashew
The Modern Curry Inn
Ye Olde Bass Inn
The Warm Hawk Bar
The Victorious Stream

Ye Olde Bass. Even I'd have a drink in a tavern named that . . . .

Poetry Sub Op

Here's an open call I spotted over at Ralan. com from The Pedestal Magazine for poetry for their December 2015 issue:

As editors of The Pedestal Magazine, we intend to support both established and burgeoning writers. We are committed to promoting diversity and celebrating the voice of the individual.

The Pedestal Magazine does not accept previously published work, unless specifically requested; however, we will accept simultaneous submissions, if so noted. Please inform us immediately if your submission is accepted elsewhere. Also, we do not accept submissions by regular mail. Neither do we accept email submissions. We now accept all work through Submittable.com. Please do not submit more than once per reading cycle.

Current and Upcoming Guidelines:

Poetry:
The editors will be receiving submissions of poetry for the December 2015 issue of Pedestal. No restrictions on genre, length, theme, or style. Send up to five (5) poems in a single file. Open for submissions November 2 - 29.

Payment: $40 per poem.

Reviews:
The Pedestal Magazine publishes reviews of full-length poetry collections (we are no longer able to review chapbooks), short-story collections, novels, and various works of non-fiction. Most of our reviews are handled in-house by staff reviewers. If you are interested in submitting a title for possible review, or would like to review a specific title, please query at pedmagazine@carolina.rr.com.

As mentioned above, The Pedestal Magazine does not accept previously published material, unless specifically requested. It asks for first rights to any piece its editors select. At the time of publication, all rights revert back to the author/artist; however, The Pedestal Magazine retains the right to publish the piece(s) in any subsequent issue or anthology, whether in print or online, without additional payment. Should you decide to republish the piece elsewhere, we ask that you cite The Pedestal Magazine as a place of previous publication and provide The Pedestal Magazine's web address.

We do our best to respond to submissions in 4-8 weeks. Please do not query regarding status of a submission until at least eight weeks have passed. All questions pertaining to submissions should be addressed to the editor at pedmagazine@carolina.rr.com.

Thank you for your interest in The Pedestal Magazine."

NaNoPrep Ten

With NaNoWriMo less than a month away, it's a good time to begin the prep for writing your November novel. To help you with that, here are:

Ten Things You Can Do to Prepare for National Novel Writing Month

Decide: Committing to take part in NaNo is a huge thing, and everyone should think it over carefully before signing up. Doing that now instead of on October 31st 11:59 pm gives you more time to weigh all the pros and cons and be sure you can swing it. But if you can do all that in sixty seconds or less, by all means, wait.

Declutter: Clean up your writing space. Leave only the things you absolute need to write a novel in thirty days and get rid of the rest of the ephemera. If you'd rather leave the creative nest intact, set up a new one just for your NaNo novel.

Dig for Supplies: If you want to use a notebook, notepad or other office supplies, and they're buried in some closet or drawer, go excavate and create a NaNo-ready pile. Or, if you don't have the supplies you need, buy them now.

Discuss: You need to write your ass off in November, and you don't need people railroading you with helpful input while you're trying to do that. So: if you must discuss your story idea with a crit partner, writing pal or other source of sympathy and feedback, do it this month. Or make NaNoWriMo like Fight Club and don't talk about it with anyone whatsoever.

Dive into Research: If you need to read up on a certain topic to prep your knowledge base for your November novel, now would be the time. Make it a weekend thing and take notes so that when you are writing next month they're right there and ready to be used.

Do the Outline: This will help you decide if your idea will stretch for at least 50K words. Even if you don't follow it, outlining can help you sort out the story in your head. Organic writers, you can skip this step if outlining kills a story for you.

Dole Out Responsibilities: Talk to your spouse, significant other, kids, parents, friends and anyone else who can mess with you in November and let them know you're trying to write a novel in thirty days. Ask them to help you by pitching in with housework, cooking, laundry, etc.

Dropkick the Doubt: November is National Novel Writing Month. Note the word doubt appears nowhere in the previous sentence. If you must torture yourself, October is the unofficial month of I Don't Know if I Can Do This. My advice? Spend the next couple weeks dropkicking the doubt out of your head. Do November for you, for fun. Screw the doubt.

Dump the Distractions: Weed out all the unnecessary writing-related tasks from your writing life. Put your blog on vacation. Shutdown Facebook, Instagram, and any other time-sucking online vortex. Twit your Tweeter pals and explain you're going to Antarctica for the winter if you have to, but take a break from everything that keeps you from writing.

Dwell on Your Ideas: Now that you've done most or all of the above, spend some time thinking about your story idea. Let it run in your head like a movie only you can see. Enjoy fleshing out your characters. Pick songs or color palettes for them. Assemble your novel notebook. Have fun building your world, laying out your settings, and otherwise visiting and polishing and refining your story playground. Because next month, when it's time to actually play in it? You won't have time.

Just Write Sunday Edition

Welcome to the new Sunday edition of Just Write! Today I'm off to write something new and post it online before midnight. Everyone inclined to do the same is invited to join me.

My link: More on Ghost Writer, with new material beginning on page 130.

For more details on Just Write, click here to go to the original post.

Image credit: My kid. :)

Writing Contest

If you're looking for a writing warm-up for NaNoWriMo, or just a way to give your muse a kick in the mojo, here's a no-fee two-week writing challenge competition that takes place in four rounds:

"WYRM’s Gauntlet features a new writing or reviewing challenge every round. All are invited to enter the first round (until the deadline hits, or we are filled), 8 will move on to the second, 5 to the third, and just 3 to the final round. As you advance through the Gauntlet, fewer and fewer challengers will remain, so judging must become shrewder. Challenges are not announced in advance, but as a new round opens. So pay attention. Some of the challenges Gauntleteers have had to face in the past include: Write a short story from a unique prompt, write a freestyle story of any length, review a published story, review an unpublished story. (All entries are private, and go through our submission form.)

We know that’s pushing your creativity to the brink, but pressure can make all the difference, and we’ll add the following promise. Just as we ask you to meet our mean deadlines, WYRM will judge your stuff promptly to keep these rounds moving. We invented the Gauntlet Timeline, and we always adhere to it.

As for elimination, we cull the herd as the Gauntlet moves ahead. It can be rough, and it can lead to all-nighter judging sessions, but WYRMs are up to the reading workload. Once the Gauntlet has a solid number of entrants (to be known from now on as Gauntleteers) we’ll determine how many can advance to each round. The bottom line is, the air gets thinner the higher you go, and you better be at your best.

The only real rule is to let it all hang out. That means, give us your best shot and don’t worry what the neighbors think. That, of course, and please respect your fellow Gauntleteers and internet citizens in this forum. Trash talking doesn’t bother us, but if you give us a real reason–like hate speech or plagiarism–we won’t hesitate to give you the boot."

According to Ralan.com there is no word limit, and the prizes are: "1st=$150; 2nd=$75; 3rd=$50, +in-depth critique for all 3." No reprints, electronic submissions only, see guidelines for more details. Round 1 opens on October 12th, 2015 (do not submit before that date); Deadline: October 26th, 2015.

Puzzling

This very cool video shows us how cleverly tavern puzzle jugs were made, thanks to artist Michelle Erickson's recreation of one from the Victoria and Albert Museum (with narration by the artist and some background music, for those of you at work):

How was it made? A Puzzle Jug by Michelle Erickson from Victoria and Albert Museum on Vimeo.

Just Write is Moving

There will not be a Just Write Thursday today week as I'm working under a couple of tight deadlines. Thursdays are also turning out to be very work-intensive days for me, and since I just picked up a new series project I've been considering putting the feature on hiatus over the winter.

Rather than do that, I'm going to try something else. As of this week I'm moving Just Write to Sundays, which are now the least work-filled day of the week for me. I'll pick up where I left off last week with Ghost Writer this weekend on Sunday, October 4th, and see if that works a little better. Thanks is advance for your support.

For more details on Just Write Thursdays, click here to go to the original post.

Image credit: windujedi