Saturday, June 08, 2013


Photography has taught me a lot about writing. Through the camera's lens I see the world and use its functions try to capture my vision of it as a permanent record. But not everything I see properly translates that perspective. For example, this picture:

This is a leaf on one of my rose bushes, covered with early morning dew. At first glance it's okay but really nothing special. Yet when I focused the camera a bit closer, more details came out, such as the structure of the leaf, at points magnified by the dew drops. The colors also seemed more intense, and new things became apparent that I didn't notice when I snapped the first pic. I couldn't see the very tiny drops of dew surrounding the larger ones until I zoomed in and snapped this:

Getting closer gave me a better perspective and allowed me to bring out more of what was special about this otherwise ordinary sight. The delight of that made me decide to go in even closer (via Photoshop) and isolate the universe contained in just one dew drop:

Not much of a universe, is it? That's because I went in too close and blocked out everything else and ended up with a kind of fuzzy circle that is even less interesting than the first photo. Worse, if that's all I showed you, you probably wouldn't know what it was.

Everthing you write should present mental snapshots to your reader. If you keep your distance and don't focus, all they get is a very general (and typically blasé) idea of your vision (which is the first photo). On the flip side, if you focus too much and zoom in too close, the reader has no context and probably won't recognize anything (as in the third photo). So story that emulates the middle photo, where you see the obvious and some of that which is not so obvious, is the ideal balance.


  1. Great visual analogy. It always amazes me how you can equate so many things to writing.

    Love the photos!

    1. When your passion is writing then everything is about writing -- or why you're not writing, lol.

  2. I love the pictures. I think I'm the third with my stories. I need to be the second. Easier said than done though, at least that's what I'm finding.

    1. You might try stripping a scene down to the bare minimum necessary for the reader to understand it, Theo, and then when you edit add elements selectively to it. I think that can sometimes work better than the reverse (aka writing a scene with everything and the kitchen sink in it, and then try to weed out what is unnecessary.)


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