Showing posts with label style. Show all posts
Showing posts with label style. Show all posts

Saturday, February 20, 2010

Cover Fits

Sometime next week someone in NY will decide what sort of cover to put on my next book. As always, I hope for something attractive and dignified, and pray to be spared anything demeaning or ridiculous, but it's not up to me. At best I'll get something that I won't be tempted to drop in the office shredder along with handfuls of the hair I pull out after I'm finished sobbing. Which is silly, because I know I shouldn't do that; the hair always clogs up the shredder and I look awful until the bald spots grow back in.

That most cover art usually fails to live up to a writer's hopes is not unusual or even unexpected; writers know publishers have other concerns that outweigh the artist's vision of the story. I don't think publishers can see the story the way writers do; they aren't invested in it the way we are. To illustrate this, here are two versions of the cover for Dreamveil: one mock-up that I made up myself to show what I felt was the perfect look/theme/style for the cover, and the cover the publisher chose to put on the novel:

       

Still, there are some publishers and writers who do seem to be on the same wavelength and do produce books with covers that do suit the story very well. I was thinking about this as I was pre-ordering some upcoming titles, and saw three I thought were excellent examples of cover art that fits:



Silver Borne by Patricia Briggs

Although my favorite Mercy Thompson cover is still the gorgeous art they used for Bone Crossed, I liked the style of this one. The body art is highly detailed, and the setting composition is interesting and tells a bit of a story all on its own. I also chuckle every time over the perennial shop rag hanging out of her back pocket; my guy has the exact same rag on his work bench.



A Wild Light by Marjorie M. Liu

You can't see this cover yet on the bookseller sites but I nicked a copy from Marjorie's blog. It's a simply gorgeous cover, and I love that they continued the theme but added another character (presumably Graham) to the composition. Also, note the cuff ornament on the right hand; that's one of those tiny details that delights because it came straight from the story. Ace really does seem to get Marjorie as a writer, because all the Hunter Kiss covers have been seamless fits. An indy bookseller once told me that red is the hottest-selling cover color theme because it most often draws the eye of the casual browser. I don't know if that is true, but this one seems pretty riveting to me.



Roadkill by Rob Thurman

Not only great art, but a killer tag line, too. To demonstrate the power of a great cover, I actually started reading Rob Thurman because I spotted the exceptional art on the first Cal Leandros novel and thought, Hey, that looks cool. And was pleasantly shocked when the story delivered what the cover promised. Since then I think the Gods of Cover Art have showered Rob with a straight run of equally outstanding covers. When I talk about unique-to-the-author style (I can pick out a Rob Thurman novel from across a bookstore), thoughtful presentation and story-appropriate art, Rob's covers are the ones I most often use as shining examples.

Now it's your turn: what writer out there has cover art that you think best fits their
book(s)? Why does it work so well for you? Let us know in comments.