Saturday, July 18, 2009

VW #6 -- Diversify and Survive

The winners of the VW#4 giveaways are:

StarDoc Novels: Amelie Markik

Goodie Bag: sandy l

Winners, when you have a chance, please send your full name and ship-to address to, and I'll get your prizes out to you. Thanks to everyone for joining in.

I. Crunching the Numbers

According to the Bureau of Labor Statistics, in 2008 there were 44,170 writers and authors surveyed who earned hourly wages* ranging from $13.47 to $51.26**. The industries with the highest employment and wages for our occupation were Newspaper, Periodical, Book, and Directory Publishers (employing 8,790 writers); Advertising, Public Relations, and Related Services (7,260); Radio and Television Broadcasting (3,100); Motion Picture and Video Industries (2,340) and Independent Artists, Writers, and Performers (2,140).***

Of these surveyed writers, the highest-paid were the 2,140 Independent Artists, Writers, and Performers, who earned an hourly mean wage of $48.37, or an annual mean income of $100,600. Sounds lovely, doesn't it? What a great job!

Well, maybe we should first consider in addition to those nicely employed writers how many other writers are actually employed or seeking employment (because they didn't survey all of us.) How many of us are there out here?

Many writers are members of writer organizations who are always happy to count heads. Let's assume everyone who belongs to Romance Writers of America, for example, is actually serious about pursuing a professional writing career. The membership currently stands at about 10,000. Then you can add in all the writers who belong to the other writing organizations: AG (8,000+) SFWA (about 1,500), ASJA (1,100) HWA (400+), NINC (300+), and of course we shouldn't forget the screenwriters, as they're always picking up media tie-in novel work, so add in the members of WGA (12,000) and the DGA (6,000).

That's roughly about 40,000 writers. If I'm looking at the math right, then according to the wage survey we should all have nice writing jobs making at least thirteen bucks and change per hour, with some left over. Okay, workshop over, everyone go home and collect your checks and have a nice writing life.

I'm kidding. The numbers sound wonderful, but they don't really add up if you go by other figures. According to statistics offered in an interesting look at the future of publishing by author Steven Mather (you can get a .pdf version of it here), publishers each receive on average 2,100 manuscripts submissions per year, for an industry-wide total of 132 million submissions. Sounds a bit much, until you consider that there are over 75,000 publishers in the U.S. (that's how many report statistics to Bowker, anyway) and that 2,100 per year breaks down to 40 submissions per week per publisher, which sounds a bit excessive to me, but for the sake of argument we'll run with that.

So every year the forty thousand of us serious writers have been sending . . . 3300 submissions each? Holy Toledo. I better hurry up and get the other 3299 of mine typed and in the mail.

II. Help, Three Thousand People Want My Job!

The problem with statistics and random numbers is that they are the products of surveys, and surveys are limited in their accuracy to the number of people surveyed and what portion of the industry they represent. Whether or not there are 75,000 publishers in the U.S., I can safely say most of them would not consider publishing anything I'd write as Lynn Viehl. With the type of writing I do in that genre -- dark fantasy/paranormal romance -- I'd say my prospects are limited to about 100 publishers. Of those 100, about 75 aren't my top choices and likely wouldn't make it onto my submission list.

This is why I don't have to be concerned with the 132 million writers and their submissions; with the 25 publishers I am interested in I have to compete against about 52,500 other writers. About fifty thousand of them are probably not published, and less than one percent of them will make it to the show, so let's drop the fifty thousand who for whatever reason aren't going to make it into print. That leaves 2,500 other published writers competing for the same sale. We'll add back in the one percent of the writers who have never been published but who will be eventually, and kick that total up to 3,000. Yep, that sounds about right.

So every time I submit a novel, in theory I have to beat out three thousand other writers for that sale. That's how dazzling I have to be -- as good or better than three thousand other dedicated, serious, talented writers who are actively going after the same job. I think it's safe to assume that many of them are younger, prettier, better writers, more willing to do things I won't do, or have other advantages over me that could allow them to sell more books and make more money for that publisher.

My Lynn Viehl books could also fall from popularity at the same time something else one of those 3000 writers submits becomes very hot. It's the way this gig works, and those 3000 writers will continue to compete against me for my job every day of every week of every year without fail. They'll get younger every year while I just get older. Publishing isn't concerned with my job security at all. They want to sign someone who will make money for them. So it's not a question of if one of those 3000 writers will take my job from me, it's a matter of when.

Frankly I'd be worried if all I had to depend on were my Lynn Viehl books. Fortunately that's not all I write.

III. Learning Lessons from Nature

"At some point, humans are going to have to realize that our production-line mentality, which seems so efficient to us, is not really the best way to do things. We like farming just one species in neat rows because it’s easier for us to comprehend. But easier to comprehend is not the same as more effective.." -- Tom Konrad, Diversification: Nature Knows Best

Nature is a master of diversification. Since the beginning of life on this planet, she has survived and flourished through evolutionary diversification. It's the reason why there are twenty-five thousand species of flat worms, one hundred and twelve thousand species of mollusks, and maybe as many as eight million species of arthropods. Nature insures the longevity of her creations by having them adapt to the climate and environment by specialized evolution, which results in all the different species. That adaptive diversification minimizes Nature's risk and maximizes her growth potential by spreading out the total number of her creations in a variety of different forms custom-designed to survive by their genetic evolution, which responds to their specific environment.

We know from the demise of countless species that anything that can't or won't adapt and evolve is doomed to extinction. Earth doesn't have a one-size-fits-all environment, which is why we have 25,000 different species of flatworms -- there were 25,000 different reasons that triggered each species' particular adaptation. And here the numbers do make sense: what has a better chance of surviving, 25,000 species of flat worm, or one? Or, if one species of flatworm were to become extinct, which is better: having 24,999 other types of flat worms left, or none?

Despite opinions to the contrary, a writer is slightly more sophisticated and evolved than a flat worm, and while we all belong to the same species, we each have the potential to make our own adaptations to the changes in Publishing's climate and environment. If we remain the same species of writer, and only adapt to one situation, then we run a greater risk of career extinction. But if we do dump the assembly-line mentality and instead adapt to multiple Publishing climates and environments by career diversification, I think we do stand a better chance of survival.

IV. Your Writing Diversification Plan

Yes, I'm going to make you think about planning again. You should know by now that I delight in torturing you this way. Before anyone whines about how tiresome it is or the reasons why they can't make a plan, let me assure you that you can have a Publishing career without a plan. Lots of writers are happier taking the Trust in Dumb Luck approach, and some of them even manage to stay in the business for a few years. And hey, anything's possible; you might become the first John Grisham of the Clueless.

For those of you who would rather not trust your future on how well the planets align on any given day, you need to think about how you might evolve as a writer. I advocate diversification because it's helped me to survive a lot of changes and tough times. If you're interested in doing the same, follow these steps:

1. Inventory and list what you currently write by market category and type of writing, i.e. romance novels, nonfiction how-to articles, SF short stories, etc. If you only write one thing, that's fine, you'll have a very short list.

2. Make a second list, also by category and type, of types of writing you have done in the past and/or haven't yet done but are interested in. For example, my list would be have on it greeting card poems (I used to sell those), sermons (ditto), mystery short stories (wrote one), contemporary horror and Christian YA fiction (am interested in these.) Also, take some time to look around at the market ops for these projects, too -- you don't want to spend valuable writing time working on a project you can't sell.

3. You should already have a work and submission plan for list #1, but if you don't, write up a general plan for what you'd like to write and submit this year. Put together a rough estimate of how much writing time you need to devote to your current projects.

4. Now take list #2, and pick at least one item from it that you can comfortably fit in with your current writing schedule, and that has the best chance to sell (this will be based on the number of market ops out there.) Also create a rough estimate of the writing time involved in this project.

5. Using both lists, create a master work plan that allows you to a) complete everything on your current projects list and b) gives you some time to work on your interests list project.

For those of you who have never tried to diversify before now, I suggest first starting with a small project from your interests list. It can be anything from a how-to writing article you submit to some trade magazines to a short story to pitch for an open submissions anthology.

Working up a diversification plan is going to be easier for as-yet-unpublished writers, or newly-published authors. The more category-established an author you are, the more difficult it will be to sell to another/new market under that name. However, you one-category old-timers can always try to pitch a new market under a new pseudonym, or work around your category in related projects (for example, an established author with a long backlist of only science fiction novels would still be an attractive prospect for science nonfiction magazines, how-to publishers, and web sites that cater to the SF writing community.)

Contests of all types also provide opportunities for writer in all career stages to try out new interest projects, because usually you don't have to be established in that category to enter them, and what you've already published won't matter.

V. Other Reasons to Evolve as a Writer

Avoiding Labeling: A couple of years ago when we were discussing multi-genre writing and selling, someone mentioned an agent in the industry who recommended writing and publishing three books in one genre to establish yourself before you try publishing in another. With all due respect to the agent, I don't agree with this. By the time you've established yourself with three books, you're labeled with that one genre as a writer, and judged by your publisher according to your sales performance in that one genre. This narrows your chances of publishing in another area, as publishers prefer to stick with proven sellers versus taken on new risks.

Writer Self-Discovery: you think what you're writing right now is the best choice for your career, and chances are you're probably right. But what if you're not? What if you were meant to do something else you haven't tried yet? I can think of one writer who had a nice career writing cozy mysteries, and yet for some reason one day she decided to write a vampire novel. The new project was black-humored and really nothing like her other work. From what I understand she encountered a lot of resistance to it and had a tough time selling it. But she stuck with it, and it paid off handsomely. Last time I checked the Times List, three of those vampire novels were in the top twenty. HBO has just started running the second season of their television series based on those novels. So if Charlaine Harris had played it safe and stuck to writing cozies, there's be no Sookie Stackhouse novels or True Blood.

Stretching Your Writing Range: It's easy to become complacent and satisfied with one type of writing (or so I'm told), and there are some arguments that say the only way you can rise to the top of your category is to stick with it. Certainly it's the safest way to do this job, and there are enough successful cookie-cutter novelists out there to support the theory. But as a writer I'm restless. I'm also always looking for ways I can increase and improve my understanding of the craft and grow as an artist. If I did the same thing over and over, not only would I be bored out of my skull, I think I'd stagnate. For me the well would run dry. Diversification allows for writer self-improvement by forcing us to reach for more than what we already know and can do, and in the process learn new things and become better writers.

Writers aren't flat worms, but just the same our survival depends on how well we adapt. There are a ton of factors we can't control: luck, timing, buzzworthiness, etc. What we can control is what we do with the work. We can try one thing, over and over, and hope for the best, or we can diversify and try many things, and learn to adapt to the changes in the industry. However you decide you want to evolve, just be sure not to write yourself into extinction.

V. Related Links

Craigslist New York is a good resource to check if you're looking for freelance writing, editing or copy-editing/writing jobs. Just be sure to check out any listing and employer thoroughly and understand the terms of employment before you commit to work or sign a contract with anyone.

Duotrope's Digest has an online fiction and poetry market search engine; input your word length, genre and other details and it will give you a list of potential sub ops.

During a hunt for freeware back in June, I found this freeware toolbar for writers looking for jobs. I haven't tried it myself but I thought it looked neat.

Look for all manner of writing jobs at

Gary McLaren's article How To Find Foreign Writing Markets has some good advice for those of you who want to sell to other countries.

I regularly hit the many market listings over at Ralan's Webstravaganza for SF/Fanasty/Horror/Weird/Strange/Whatever sub ops to list here at PBW.

My ten things list on additional places to find writing jobs.

Some ideas on how to beat the recession: Diversify to Keep Freelance Dollars Coming In ~ Economy-Proof Tips for Writers by Mary Yerkes

Photo credit: David Hughes

*"Annual wages have been calculated by multiplying the hourly mean wage by a "year-round, full-time" hours figure of 2,080 hours; for those occupations where there is not an hourly mean wage published, the annual wage has been directly calculated from the reported survey data."

**All wage amounts shown are in U.S. dollars

***"Estimates for detailed occupations do not sum to the totals because the totals include occupations not shown separately. Estimates do not include self-employed workers."

Today's LB&LI giveaways are:

1) A MusicWish (any CD of the winner's choice which is available to order online, up to a max cost of $30.00 U.S.; I'll throw in the shipping)

2) a goodie bag which will include unsigned new copies of:

Burn by Linda Howard (hardcover)

Way of the Cheetah by Lynn Viehl (author-printed, signed and bound in a three-ring binder)

Halo ~ The Cole Protocol by Tobias Buckell (trade pb)
88 Money-Making Writing Jobs by Robert Bly (trade pb)
The Pajama Girls of Lambert Square by Rosina Lippi (trade pb)
Between the Lines ~ the Subtle Elements of Fiction Writing by Jessica Page Morrell (trade pb)
Animal Attraction by Charlene Teglia (trade pb)

Taken by Sin by Jaci Burton (paperback)
Touch of Darkness, Scent of Darkness and Into the Shadow by Christina Dodd (paperbacks)
Round the Clock by Dara Girard (paperback)
Amazon Ink by Lori Devoti (paperback)
Hawkspar by Holly Lisle (paperbacks)
The Iron Hunt and Darkness Calls by Marjorie M. Liu (paperbacks)

plus signed paperback copies of my novels StarDoc and Evermore, as well as some other surprises.

If you'd like to win one of these two giveaways, name a genre you'd like to write in, or comment on this workshop before midnight EST on Sunday, July 19, 2009. I will draw two names from everyone who participates and send one winner the goodie bag and grant the other a MusicWish.

Everyone who participates in the giveaways this week will also be automatically entered in my grand prize drawing on July 21st, 2009 for the winner's choice of either a ASUS Eee PC 1005HA-P 10.1" Seashell Netbook or a Sony PRS-700BC Digital Reader.

As always, all LB&LI giveaways are open to anyone on the planet, even if you've won something here at PBW in the past.

Other LB&LI Workshop Links -- new links are being added every day, so keep checking the list for new workshops (due to different time zones, some of these will go live later in the day):

E-publishing: From Query to Final Edits and Beyond -- Authors Madison Blake, Paris Brandon, Cerise Deland, Fran Lee, Afton Locke and Nina Pierce provide helpful insights and tips on e-publishing. Today's author: Fran Lee

Writing Transformative Sex - Part Two by Joely Sue Burkhart -- So you know you want to avoid Plot Interrupted and Tab A/Slot B mechanics, but how do you get “down and dirty” into the emotions of a really deep sex scene?

Bird Migration by Suelder -- third in a series of workshops on birds that will focus on the science as well as how to adapt this information to writing.

Why You're Not Writing by JM Fiction Scribe -- Examining the reasons behind your writing block - because the identifying the 'why' of the problem is the best way of getting past it.

How-To Books that Saved My Life by Alison Kent -- a look at the three how-to books the author can't write without, and why.

Break through your fears and write! by Tamlyn Leigh -- One of the biggest obstacles on a writer's path is their fear. It can be for anything: fear people won't like their stories, fear they aren't good enough. In my workshop I want to offer tools to break through that fear, and get everyone writing!

Writing Prompt Series by Rosina Lippi -- catch up day.

Have No Fear by Marjorie M. Liu -- third in a series of workshops about different aspects of writing and publishing.

From Pantser To Plotter: How I Joined The Dark Side by Kait Nolan -- five workshops on the transformation of a pantser to a plotter.

Writing Sex Scenes That Matter by Jenna Reynolds -- Readers sometimes say they skip over the sex scenes in a book. And usually it's not because they have a problem with the sex. It could, however, be because, other than the sex, nothing else is going on. This workshop provides some suggestions on how to write sex scenes that matter and that readers won't skip over.

Defining the Basics by Midnight Spencer –– Query, Cover letter, Blurb, Synopsis, ms or mss, SASE, SAE, Copyright, Electronic Rights, Electronic Submissions, Erotica (some people do not know that romance and erotica are two different types of writing), Genre, Hook, Pen Name, Proof Reading, Fair Use, Joint Contract,

Left Behind in Interesting Times by Charlene Teglia -- e-publishing in interesting times.

Epubs-wondering where to start? by Shiloh Walker -- Info for those curious about epubs and where to start.

Killer Campaigns: Volunteerism by Maria Zannini -- Passive promotion at its best


  1. Paranormal is my favorite to write in

  2. It scares me when you read my mind. *ggg* There are two genres I'd like to try writing in. The first is YA, which I'm currently working on. The second is horror. I'm not really sure what I'd write, but I'd LOVE to try to write a short horror piece.

  3. *ZOINKS*

    I write MG fantasy, BUT I'd love to take on a YA mystery...

  4. I would want to write in the paranormal genre. A ghost story.

    Another great post. Thanks!

  5. Very informational--thank you! I am a picture book writer, but also write historical fiction for a YA audience.

  6. I don't know what other genres I'd like to try. I've explored a number of them to varying degrees of success (and failure), and enjoy the differences.

    At the moment, I'm concentrating on the technical side of writing fiction.

  7. Anonymous2:26 AM

    Another great post and thanks for the extra links.

    More awesome prize packs and good luck everyone.

    Congrats to the winners!

    Terri W.

  8. Margaret3:10 AM

    I really enjoyed reading your thoughts and advice on this topic (and all of the others this week, too.) Thanks for doing this!

  9. I write urban fantasy but I intend to try children's soon.

  10. This is scary for me, Lynn. Your thoughts are pushing me towards feelings I've suppressed in the name of 'focus' and 'efficiency'.

    I live with a long-term medical condition that allows me to write but limits the hours I can work each day. I'll never be prolific, and I know this means I'll never be a hot property as far as the publishing industry is concerned, but what I can do is make everything I create as beautiful as possible.

    So, I'm subbing my paranormal romance standalone novel while writing the first in an urban fantasy series, and I'd pretty much accepted that mining this niche deeper was my way to go.

    But now you've gone and nudged me into admitting my itch to write SF. I love reading it! Love it! But I love reading Cold War spy novels, too, and I wouldn't consider trying to write one of those monsters. So why would I think I could learn to write SF? Gah! :)

  11. All that competition out there is rather intimidating to think about. Even so, I learned quickly about the importance of diversity when I got into the professional blogging realm.

    Currently writing: Romance, women's fiction, non-fiction author promotions help ebooks

    Have written in the past: true life short stories, sword and sorcery type fantasy, erotica

    Want to write: horror, (more) erotica

    Looks like a good start to me. :) Thank you for the post!

  12. I think Godmother Liv must have enjoyed writing this post.

    I joke, I joke. It was fabulous and gave me new things to think about.

  13. I write technical manuals. I have always thought about writing non-fiction or maybe poetry. I wouldn't be good at fiction I just don't have a plot in my head :).

  14. I'd like to write in SF or Fantasy.

  15. I'd like to try YA and a thriller. Have the first in the works, the second sketched out. I like diversification.

  16. A new genre? I'd like to write a laugh out loud romantic comedy.

    But my secret wish is a graphic novel.

  17. This is amazing stuff! Something else I will need to print out so I can highlight it and put it to use. All I've ever done is write, so planning a writing career is new to me. I do want to test this out, though, and see how I do with it.

    A genre that I want to try next is YA.


  18. Thanks for this really interesting post, Lynn. I found it through Nathan Bransford's link, but will now add you to my blog roll.

    I write middle-grade that generally has some supernatural element in it, but I have an idea for a YA that I would love to write one of these days. It's a personal story, so a little scary, but it haunts me. One day.

  19. I am romance but would like to try and write non-fiction.

    Its all about being in order, but sometimes hearing it from someone with experience can help or make it more complicated.

    Great post Lynn. Very good infor.


  20. I enjoyed this great post filled with information and ideas. Thanks for this great place to visit.

  21. Fantasy and all its sub-genres are near and dear to my heart, though I find that I'm also interested in writing romances at times.

  22. I hadn't thought about expanding to different genres/areas in that way. Thanks!

  23. I'm not sure if I'm depressed or invigorated. . .

    The numbers are scary the way you laid them out, but doesn't anyone of us who writes have a bit of the egoist in us?

    I suppose, then, I'll go with invigorated by the possibilities!

  24. A very interesting post which really got me thinking. I've boxed myself into one type of writing, even though I read in many fiction genres. Time to diversify!

  25. Meleeta10:17 AM

    Science Fiction/Fantasy/Paranormal/YA/Poetry is what my bent is.Though I could also write westerns. Thanks for the workshops each one of them has made some more clear or easier.

  26. The entries have been great all week, but I have to say I really enjoyed this one. It is the opposite of the advice I have been getting recently, telling me I have to stick to one genre.

    Frankly I just have way to many ideas for my own good.

  27. Please put my name in the hat....and holy Toledo 132 million's a wonder anyone I know is actually a published author!

  28. In fiction, I write mostly science fiction and fantasy. Occasionally,I try literary.

    In non-fiction, I'm a technical writer.

  29. This is a very helpful - and scary - post. I'd thought I needed to get established before worrying about diversifying.

    I write fantasy, but I'd love to write historical ghost stories.

  30. I'd love to write in YA horror.

    These workshops are super helpful, by the way. Thanks for organizing such a great event!

  31. Congrats to the winner!

    And thanks, Lynn. You always give me something to think about.

  32. Ah yes, diversification. Sometimes my husband gets frustrated and thinks I've got some kind of attention deficit problem because I keep hopping around and planning things in multiple genres. But hey, as you have amply pointed out, the more irons in the fire, the more chances you have of one of them actually catching or...something. Need more caffeine to make analogies.

  33. I have written a middle grade manuscript and an urban fantasy. Working on a second middle grade novel and starting another adult fantasy.

    Sometimes it feels like I have a split personality....I am a Gemini.

  34. I wouldn't mind investigating YA novels.

  35. I'd love to write mainstream in addition to my fantasy novels. Of course I write so many subgenres of fantasy my plate's rather full.... :)

  36. Great food for thought, as always. I'm drawn to science fiction, contemporary fantasy, dark fantasy, and young adult. With YA I could go speculative or not.

    I find Duotrope very useful, but I would point something out about it: although there is a field for entering your wordcount, don't use it that way. Their search engine is not really up to figuring out all the varying wordcounts that all the markets accept, and you will lose some possibilities. Instead, use labels like "short story," "novella," "novellette," etc.

  37. I write fantasy. I'd like to try writing mysteries. I would also love to do a book of poetry and photography.


  38. As a reader, your articles are fascinating, Lynn, thanks for all the great scoop.

  39. I'm writing a paranormal...that was supposed to be for YA but as I've gotten older, I think it's become too old to be a YA as well. I also write articles for newspapers, PR companies and websites.

    I'd like to write a multi-genre--something with mystery, romance, paranormal, real life, science fiction, and horror in it.

    I'm working on it. But I'm trying.

  40. I like the idea of having a plan - how to fit in the new project. That's been the problem for me - fitting it in. I've been doing a lot of preparation but no actual writing, which means I'm procrastinating - but I'd like to try my hand at writing a screenplay.

  41. I think my fiction will remain in the fantasy genre for the time being, but I'm open to branching out into the non-fiction realm. I'm trying to blog regularly and it's stretching my writing muscles in a different (but good) way.

  42. Since I'm a little slow and entered the last contest late, let's try this again... :)

    I've been wanting to write Urban Fantasy for a while now. I've kicked around an idea for a more action-thriller oriented take on the genre. But I've been hesitant to leave the comfort of my home genre, Crime Fiction.

    I might have to start playing with that other idea again.

  43. I love to read so many genres it's hard to pick, LOL. I think anything I wrote would have romance but there'd always be mystery or sci-fi/fantasy or something there as well. I think the only genre I wouldn't do is straight horror.

  44. Alicia1:35 PM

    Lynn, this is a great post. Since I'm new to writing I have quite a few interests. So far I've been writing Multicultural YA Urban Fantasy but I would love to write a mixture of Multicultural Horror/Serial Killer novels with a Romantic Love Interest. In my writing classes, it seems like my horror assignments get the most reaction for classmates but I'm a little afraid to take it on.

  45. Alicia1:42 PM

    I don't think my original post went through.

    I'd like to write Multicultural Urban Fantasy or Horror/Serial Killer fiction.

  46. I am so glad I found your blog. Great post and you have me thinking.


  47. I would love to write mysteries just like Agatha Christie.

  48. I've always wanted to write a crime novel, as I am a forensics nut.

    Last Nano, I attempted to write a comedy, but it turned into horror. Oops. ;)

    Loved this workshop as well.

    Erin K.

  49. Thank you for this very thoughtful post. Lately, I've been reading a lot of SF, and it's a genre I'd like to try writing in, even if the science aspects can be intimidating.

  50. Terrific post. I'm on my fourth genre and I'm always hearing I should pick just one. Next time I hear that I'm sending the person who says it here.

  51. Athena3:07 PM

    Urban fantasy all the way!

  52. Big fat fantasy, adventure/mystery, YA.

  53. I'm not writing for anyone but myself, but my favourite thing to write is essays.

  54. I love this. Since I am such an ecclectic reader I want to be an ecclectic writer. Most of what I read and write is YA. I currently have submitted a YA Realistic Fic.,a picture book, and 3 short christian articles. I am working on, or have outlined a paranormal mystery, a Historical Fiction, some poetry, a fantasy and I really want to branch out into Christian fiction both YA and childrens. I used to write puppet scripts for our church and I have looked into writing them for publication.

  55. Pen names and marketing

    I've thought about how to branch out, but I'm concerned about readers expecting one genre and getting another: expecting romance and getting horror. I thought that pseudonyms might be the way to go. But then, you don't seem to use them. So, I wonder if it's that big of a deal. Do you ever hear from readers up set that book is, or isn't sci-fi, if it doesn't meet their expectations?

  56. Great post. I think I would like to write paranormal or contemporary.

  57. Terrific post, as always. I'd like to try writing urban fantasy.

  58. I write mostly science fiction and fantasy, but I would love to get into mysteries.

  59. The statistics are so overwhelming. It makes it sound more practical to stay at my job. But writing is my passion and I won't let number stop me. ha ha ha

  60. I would love to write in either the sci fi/fantasy genre or the horror genre. I have been not only playing Dungeons and Dragons, but creating dungeons for our group of friends for years. They have always said I should try to publish them or make them into books.

    Name in the hat please!


  61. Young Adult has some amazing books and I would love to write something in that genre.

  62. Everything I try to write turns into some flavor of fantasy. But there are still lots of flavors.

    When I diversify, it's to other hobbies. Tomorrow, for example, my sister and I will be marbeling fabric in her backyard. This is in preparation for doing a workshop for her quilt guild in August.

    I also knit, throw pots and I'm hoping to take a watercolor (my first painting) course in the fall.

    But please toss my name in the hat :D

  63. Fantasy. Something to take the mind off all things crappy.

  64. I've always considered myself an SF and fantasy writer, even though I did dabble in other areas such as crime fiction, pulpy adventure fiction, historical erotica, poetry and scholarly non-fiction.

    But SF and fantasy are my first love, so I was rather disturbed when I suddenly found myself writing a contemporary romance with no fantastical elements whatsoever.

    As for genres I'd like to write but haven't tried yet, I'd like to try my hand at romantic suspense. I'd also like to write a proper Steampunk story, even though I did write a Steampunk Regency romance once.

  65. LeaLS9:28 PM

    My current project is contemporary romance, but I have an even stronger love of paranormal!

  66. I love writing paranormal romance. :)

  67. I mostly write urban fantasies but I've been working on an YA novel recently, my first one.

    Another genre I'd like to try is paranormal romances.

  68. I write urban fantasy, both adult and YA.

  69. I have jumped around from genre to genre and love it. I started out with mainstream high fantasy and science fiction but have ventured into paranormal, futuristic and dark romantic fantasy. I have also tried my hand at YA.

    Sarah G

  70. I think I would like to try a murder mystery. I have a title, so maybe...

    Thanks for all the links, so much to see and do.

  71. There seems to be so many ways from unpublished to published/career that it's no use coming up with definite rules (like the agent who recommended 3 books in one genre first).

  72. I would write in either paranormal romance or urban fantasy!!!

  73. i would love to write in the following areas (no particular order):

    young adult
    urban fantasy
    paranormal romance
    mythic fiction (think charles de lint)

  74. I would love to write horror novels, fantasy novels, and science fiction, and maybe try my hand at mysteries as well.

  75. Do you need to approach different agents for widely differing genres? i.e. Urban fiction, Christian fiction and YA.

  76. I would definitely write SF so I could create new worlds or young adult. I think the genre needs more authors to write good books without a lot of propaganda.

  77. If I were to try a different genre it would be historicals, specifically westerns. I would also like to try writing mysteries. I use to love reading them and would like to get back to reading and eventually trying my hand at writing one.

  78. If i could write I love to write in the futuristic/scifi genre.

  79. Though I love writing PN, it's become a pretty saturated field. However, as much as I've tried, I can't seem to wrap my mind around other genres. Nothing ever reads true after I've written it. To me, it all sounds forced.

    But you're right and I do see the very real need for diversification.


    I must try harder...

  80. Joe Iriarte wrote: I find Duotrope very useful, but I would point something out about it: although there is a field for entering your wordcount, don't use it that way. Their search engine is not really up to figuring out all the varying wordcounts that all the markets accept, and you will lose some possibilities. Instead, use labels like "short story," "novella," "novellette," etc.

    Excellent advice, Joe, thank you for posting it.

  81. jc wroteI've thought about how to branch out, but I'm concerned about readers expecting one genre and getting another: expecting romance and getting horror. I thought that pseudonyms might be the way to go. But then, you don't seem to use them. So, I wonder if it's that big of a deal. Do you ever hear from readers up set that book is, or isn't sci-fi, if it doesn't meet their expectations?

    Actually I'm known for having a great collection of pen names/pseudonyms: Gena Hale, Jessica Hall (romance) S.L. Viehl (SF) Lynn Viehl (dark fantasy, nonfiction) and Rebecca Kelly (Christian fic), along with a couple of others I used when I was working as a writer-for-hire/ghost writer. My problem has been that I didn't have a single unifying name to gather them all under until I came up with Paperback Writer/PBW for the blog.

    Readers who pick up my Rebecca Kelly books are expecting Christian fiction, so I would never use that pseudonym for my dark fantasy. Same thing with S.L. Viehl; I'd never write a romance using that as a byline. When you're a multi-genre writer, you really need to make the pen name decisions early on in your career. Unfortunately for those of you out there who want to write everything under one name, the truth is publishers won't allow you to. Every pseudonym I have is one I was forced to acquire because of publisher demands; if I'd had my way all of the books would have been published under one name (which probably would have ended my career quite a few years ago, too, so I'm not always right.)